Process

One route, developed

Four steps, six weeks, one fixed price. And the reason every photograph on this site looks the way it does.

Start a project £6,400 — a complete identity in six weeks

  1. One

    A conversation, not a questionnaire

    Forty minutes on the phone. We work out whether this is a job for two people or for an agency, and say which.

  2. Two

    One route, developed

    Not three options in a deck. One direction, argued for, and revised twice. Three routes is a way of making the client choose so nobody has to be responsible.

  3. Three

    Artwork and specification

    Files you own outright, with the specification a printer or a fabricator needs. No retained files, no licence, no per-use fee.

  4. Four

    On press

    We check the first sheets. Colour signed off wet, not from a PDF.

The grade, drawn

Photographic printing paper is sold in numbered contrast grades. A grade is not a filter and it is not a mood: it is a slope on the paper's characteristic curve. Grade 0 is soft and grade 5 is hard, and the same negative printed on two grades differs by that slope and by nothing else.

Everything on this site is printed at one grade — chroma to zero, then lightness through a slope of 1.85 about L* 46, clipped at both ends the way paper clips. Below L* 21.1 everything goes to black and above L* 75.2 everything goes to paper. That is why the shadows here have no detail in them: on a hard grade they are not supposed to.

The slope is baked into the file, not applied in the browser. A CSS filter is the thing that silently stops being applied to one image in twenty; bytes do not drift. scripts/plates.mjs reads the shipped WebPs back and recovers the slope by least squares — it does not read the grade script's arithmetic.

L* in 0 100 100 pivot 46
Dashed: slope 1.00, no grade. Solid: slope 1.85, what every plate here is printed at.

And the one that is not

A rule you cannot see broken is not a rule, it is a description. So one project ships without the grade, in the same index as the rest: Ninebark is a colour system, and a hard-grade black-and-white plate of a colour system is a picture of nothing.

It is the same crop, the same box and the same encoder, with the grade removed and nothing else changed. Measured off the shipped file it recovers a slope of 1.00 and a mean chroma of 46.5, against 1.85 and under 0.02 for the other seventeen. The harness requires it to differ.

Sheets of coloured paper fanned so each one shows only its curved edge — shipped in colour, ungraded.
Ninebark — ungraded, slope 1.00, mean chroma 46.5
Hands drawing a squeegee across a screen on a stack of sheets.
Proofing on the studio press